This may be a shocking camera.
Sony announced the new APS-C sensor a mirrorless camera "ZV-E10".It is a successor to the VLOG specialized camera "ZV-1".The release date is Friday, September 17, 2021.Although it is an open price, the main unit is about 78,000 yen, and the lens kit (ZV-E10L) is the expected price of 89,000 yen.
The major difference from the ZV-1 is that the sensor size has become APS-C and the lens replacement can be made.It can be said that it is a VLOG camera that can pursue image quality and E -mount assets.… But I felt a mysterious heterogeneity, not a camera that I could understand with a simple difference.This camera is different!
The color variations are white and black.The kit lens is "E PZ 16-50mm F3.5-5.6 OSS" equipped with a power room.
As expected, ZV-1 brother!
We will deliver the preview and reviews at a later date, so we will focus on comparison with the ZV-1 and α6X00 series.With the deeper grip, the hold feeling has been overwhelmingly improved.With a kit lens, you don't feel much weight.
The basic specifications are EXMOR CMOS sensors with an effective pixel number of 24.2 million pixels, and front -end LSI that supports BIONZ X + image processing.ISO is 100-51200 and equipped with real-time AF.It supports electronic camera shake, and you can use a stronger active camera shake during video.The maximum image quality of the video is 4K30P.
Temple.It is shocking that there is no program dial even though it is an e -mount ...!The background blurring button continues and has a "still image / video / S & Q switching button" instead of the mode button.This button seems to be the key to this unit, so I will touch it later.
back.An essential vari -angle monitor for VLOG machines.
left side.The long -awaited headphone terminal!In ZV-1, terminals were organized on the right.
When the vari -angle monitor is deployed.The white model has a white color on the back of the monitor, and has a sense of unity.
The wind screen is removed.Three oriented capsule microphones have been inherited, and the internal structure of the microphone has been reviewed and the sound gathering efficiency has been improved.
From here, we will compare black colors and α6400.Even the same APS-C sensor is smaller.The grip material is also different.
Temple.The compactness of EVF less is alive.The presence or absence of program dial is also large.
left side.The rigidity of the cover part is still more reliable for the α6400.The bracket part to attach the strap is also different.
right side.The shape of the grip is α6400.However, ZV-E10 has no viewfinder, so it depends on how you hold it.
The existence of a mode button that presents a new camera manner
ZV-1 Yuzuri's VLOG performance and α6x00 Yuzuri image quality performance.The ZV-E10 is equipped with these.For still, the shutter sound is mechanical and comfortable.It sounds "Kasha" firmly.
But when I use ZV-E10, I feel like "Is this right ...?"The reason is the existence of a still image / video / S & Q switching button replaced by the mode button.
This is a button that switches between three types of shooting methods, still → video → slow shooting → still every time you press it.In a sense, Koitsu has changed the method of operating the traditional camera, including the program dial.
When you press it, the mode changes like this.The important thing is that you can leave the shooting settings individually with stills, videos, and slow.If the still is in P mode, and if you want to get a video manually, you should leave the settings individually in each shooting mode.The ZV-1 mode button was pressed after pressing and selecting still or videos.
So, it feels like a still, video, slow, these three settings are looked in parallel.With a relatively strange feeling, for example, if you want to squeeze from P mode and prioritize, you will set it from the function menu.
You can select the lower right P and turn the dial to squeeze the aperture mode.The same can be said for video shooting and slow, but this feeling of operation, if you get used to the program dial, it is quite uncomfortable or troublesome.There are cameras that operate with ISO and shutter speed dial instead of program dials, such as Fujifilm, but it feels different.
This unit does not have a certain type of camera operability, which instantly switches P, aperture, and shutter priority.Instead, the stills and videos are touched at a similar ratio.This is rather from those who are used to the camera, who are accustomed to devices that are used to the camera and videos at the same level, while feeling "I can't operate intuitively!"Is it an operation feeling that enters?
The mode button at the time of the ZV-1 was still following the camera operation of the nine, but it seems that it has become a ZV-E10 and it has been very divided.However, in the people who use this camera or the scene of taking this camera, this UI may be more addicted.I think this is a very challenging design.
A new camera -based tree may start
It goes well with the competent shooting grip "GP-VPT2BT", and the web camera operation on the desk is also good.If you use a single focus lens, you can enjoy bokeh more.VLOG cameras are compatible with web cameras.
Yes, this is a VLOG camera.However, the image quality and specifications are that of mirrorless, assuming how to use them like the past.I feel that I can't demonstrate the potential of ZV-E10 in the traditional usage.Because if only operability, a so -called classic style is better.
I think ZV-E10 is a deep camera.I felt something like a new breeze brought by the divisible UI.How do you want to use this camera?How do you want to shoot?
Do you want to do a 300mm fucking VLOG?Believe in electronic camera shake!
PHOTOS: Yamada Yuus type Source: Sony
